![]() ![]() Once African Americans saw it, there was a love fest. I can't speak for 12 Years A Slave, but there was a backlash for The Butler before people saw it. ![]() Sometimes the makeup artist sees the check has cleared sometimes it hasn't, but we do it because we love, love, love the story.Ĭonsidering a lot of the backlash that films like 12 YEARS A SLAVE and THE BUTLER received from the black community, having to do with at least expressing some other aspect of history of African Americans or black people period, would you consider, or have you considered, making a film that depicts the conquerors, the explorers, the kings and the queens that have existed that never get represented in film? I don't have any money, it's like putting on theatre, and we are all pitching in. You know the accuracy, and I say accuracy because they weren't just movie stars they were political activists, and they all wanted to make a statement. Lee Daniels: The material was just very good. The list of actors that don't have an Oscar is shorter than the ones that do, you can't possibly have paid all of them! How did you do it? Your approach seems to be from an independent filmmaking stance and I'm just really curious how do you assemble a cast like this from that approach. The mixture of personal experience with the director's own forthright opinions made for an interesting Q&A. A Jewish-American woman talked of her time as a civil rights veteran and questioned the lack of Jewish representation in the movie Daniels countered that there was an adequate amount of white faces represented in the movie's civil rights scenes. There were people present with their own recollections of actions during the civil rights movement, including an elderly Japanese man who was a student in Los Angeles in 1961 and had tried to help out but was told by his foreign student advisor to "stay out of our political problems or go back to Tokyo". Director Lee Daniels has been in Japan recently to promote his latest, Lee Daniels The Butler, and after a screening of the film at the Foreign Correspondent's Club the director was met with more than just the usual film-related inquiries.
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